Wednesday, September 30, 2009
Monday, September 28, 2009
Dickson Despommier (say: day-pahm-yay)
Dick Despommier of Columbia Uuniversity's Mailman School of Public Health,

the infamous podcast "This Week in Virology"
and the Vertical Farm Project writes in to the New York Times regarding vertical farming
Three recent floods (in 1993, 2007 and 2008) cost the United States billions of dollars in lost crops, with even more devastating losses in topsoil...
Imagine a farm right in the middle of a major city. Food production would take advantage of hydroponic and aeroponic technologies. Both methods are soil-free. Hydroponics allows us to grow plants in a water-and-nutrient solution, while aeroponics grows them in a nutrient-laden mist. These methods use far less water than conventional cultivation techniques, in some cases as much as 90 percent less...The amount of arable land per person decreased from about an acre in 1970 to roughly half an acre in 2000 and is projected to decline to about a third of an acre by 2050, according to the United Nations...
For every indoor acre farmed, some 10 to 20 outdoor acres of farmland could be allowed to return to their original ecological state (mostly hardwood forest)...
A vertical farm would behave like a functional ecosystem, in which waste was recycled and the water used in hydroponics and aeroponics was recaptured by dehumidification and used over and over again...
Vertical farms would also make cities more pleasant places to live. The structures themselves would be things of beauty and grace. In order to allow plants to capture passive sunlight, walls and ceilings would be completely transparent. So from a distance, it would look as if there were gardens suspended in space...
Vertical farms would bring a great concentration of plants into cities. These plants would absorb carbon dioxide produced by automobile emissions and give off oxygen in return.
Labels: aeroponic, architecture, columbia, design, despommier, dickson, ecosystem, farm, health, hydroponic, mailman, new york, project, public, school, sustainable, times, vertical, virology, week
Saturday, September 26, 2009
Precarious Modern Buildings from WebUrbanist
Don’t Look Down: 10 Peculiarly Precarious Modern Buildings

The world’s worst skyscraper disaster is still fresh in our minds, and every year sees a new calamity in our global obsession with building storey after storey, higher and higher. You would think that all architects would be careful to make their buildings look as stable as mountains. You’d be wrong. Thanks to modern building materials and behind-the-scenes architectural wizardry, the new field of precarious-looking urban architecture is on the rise – as these ten vertigo-inducing examples illustrate.

(Image via: arch daily)
Capital Gate, Abu Dhabi – the most acutely leaning building in the world. It bows out 18 degrees from the vertical – in comparison, Pisa’s famous tower is only leaning at 3.99 degrees. Technologically ambitious and architecturally stunning, it looks like nothing on earth. (Well, okay, it does look like something in particular, but this is a family-friendly corner of the Web and we refuse to draw certain parallels).
(Image via: cosmoworlds)
And by the looks of the first concept drawings, Capital Gate was meant to be even more ambitious. How on earth would this design have stayed up? Judging from the reworked shape, the designers couldn’t answer that question either.
(Images via: luxuo)
If you live in the Danish principality of Rødovre, you may see this queasy-making structure against the skyline. This ‘Sky Village’ is made up of 60 metre square blocks built up around the building’s core. Exactly how is up to the buildiers – meaning that in theory, no two buildings would look alike. We applaud engineering flexibility, but our applause for rock-steady stability is louder. Exactly how will it stay upright, please?
(Image via: freshome)
It may look like a bad or possibly drunken attempt at Photoshopping – but the Walters Towers will soon be reality. Forming an enormous W (possibly standing for “weird”), this apartment block complex in Prague is the slightly fevered work of architects Bjarke Ingels Group, and for obvious reasons, uses the latest in load-bearing building materials.
(Image via: freshome)
Our questions are endless. Do the lifts go diagonally? Is it safe? How would it fit in with the current Prague skyline? Is it safe? Exactly how is the weight distributed? Oh, and is it safe?
(Images via: design boom)
How would you feel about living in a building that looks less built than balanced? This Singaporean residential complex by OMA comprises of 31 six-storey apartment buildings stacked up in a thrilling haphazard manner, with the aim of circulating fresh air around every building. Since this is Singapore, heat loss wouldn’t be a problem – but what about air-con efficiency? And that certainly isn’t a balcony-view for the squeamish.
(Images via: gayol87 and IASeNews)
Costing over $600 million and reaching 51 floors into the blue, the China Central Television Headquarters in Beijing was completed in December 2008. It is built of steel, and its two rakishly-skewed towers had to be joined in the dead of night when the metal was coolest, to prevent expansion distortion. The local nickname? “Big shorts”.
(Image via: daylife / Reuters)
In February this year, it narrowly escaped damage when the nearby Television Cultural Centre caught fire after opening ceremony fireworks went awry. This event has sparked an inquiry into the widespread use of high-explosive fireworks in China – and into the subsequent attempt by national authorities to suppress coverage of the blaze.
(Images via: coolboom)
Commanding what must be one of the most spectacular views in Sydney, the Holman House teeters on the brink of architectural possibilities. Although not quite as unstable as the above photos suggests, the house juts out from the cliff edge so alarmingly that we commend its current occupants for their nerve (and try to hide our jealousy at having that view). But isn’t the Sydney basin prone to earthquakes?
(Image via: dezeen)
The new Museum of Image and Sound in Rio de Janeiro is an award-winning response to the question “How unconventional can we make a museum look?” Looking like a stylishly collapsing carpark (ahem, arguably), the front-facing “vertical boulevard” hides galleries, auditoriums and even an outdoor cinema perched on top. No word on what the residents of the surrounding tower-blocks think of this last feature.
(Image via: dezeen)
Due to open in 2011, the design is meant to channel the energy of the beach promenade, providing an extension of its movement rather than an interruption. If they could turn one side of those steps into a waterslide, we think it would be made completely perfect.
(Images via: homedesignfind)
As well as challenging our assumptions and sensibilities, good architecture should make us feel happy. So what about this house from Ensamble Studio that seems designed to perturb, upset and make us permanently uneasy? From the swimming pool sticking out into thin air to the apparently badly-supported slab of concrete poking high above the roof, this void-riddled structure is certainly fascinating and challenging…but is it lovable?
(Image via: skyscrapercity)
Unlike with Capital Gate, there is no attempt to subvert the shape of the two towers that make Madrid’s Puerta de Europa. These massive structures (115 metres tall) look like conventional skyscrapers – except ones that lean towards each other at a 15-degree angle.
(Image via: luciapensache)
Completed in 1996, they were the world’s first leaning high-rise buildings (so urbanites who suffer from vertigo, you now have someone to blame for the trend). They are positioned so far apart to provide the room for a subway interchange.
(Image via: arch daily)
The new housing development of Strandkanten in Tromsø, Norway, is 900 decided modernistic homes making best use of reclaimed land – and of design possibilities. The waterfront properties lean out over the water as if they long to go for a dip.
(Image via: arch daily)
After hundreds of years of straight-up window design, how do we feel about windows that themselves lean out, making it impossible for us to safely do so? And there is the potential problem with all these designs: they’re built for people, and need a warm public response to become a success. No matter how ingenious the techniques or how space-age the materials used…are we truly willing to step inside the latest and craziest skyscraper designs?Labels: abu dhabi, architecture, capital gate, china, denmark, design, holman house, madrid, norway, OMA, precarious, puerta de europa, singapore, sky village, strandkanten, sydney, weburbanist
Friday, September 25, 2009
Jon Beinart
Revisiting Jon Beinart. He's built himself a big little collective of surrealist artists of varying quality and originality. I originally posted a bunch of his Crustaceous Toddlerpedes. These hideously segmented sculptures remind me of the beautiful balloon sculptures of Jason Hackenwerth posted earlier this month. The two bodies (no pun intended!) of work both have human aspects - Jon's doll-parts-as-materials and Jason's wear-it,-it's-a-costume - and both are surreally modelled after more simple, segmented, worm-like life forms.
THE MOTHER OF ALL TODDLERPEDES
CEREBRUS AND THE SCORPION

BUBBAPILLAR
THE ORIGINAL (as far as I can tell)
Labels: beinart, bienart, bubbapillar, cerebrus, Crustaceous, design, Hackenwerth, Jason, Jon, scorpion, sculpture, surreal, toddlerpede
Thursday, September 24, 2009
Jason Hackenwerth
Jason Michael Hackenwerth--b. 1970, St. Louis, MO--lives and works in NYC.
EDUCATION
2003 MFA Savannah College of Art and Design. Savannah, GA.
1993 BFA Webster University. St. Louis, MO.
Using balloons to make sculptures has magical results, and built in challenges. The works, as closely related to exotic flowers as they are to deep-sea creatures or microorganisms, are instantly recognizable as an exuberant celebration of life. They offer joy, hope and inspiration and require no deep understanding of contemporary art to enjoy.
AT CONNECTICUT PEABODY MUSEUM:
This becomes literal when a person gets inside a “wearable” sculpture called a Megamite to engage audiences or perform choreographed steps. These interactions are meant to personalize the experience between the viewer and the art. Breaking down barriers between contemporary art and modern life.
AT BLOOMINGDALES, NYC:
The challenge of balloons is their temporality. This work is experiential. It’s offered as a bright smile of hope if only ever briefly. Some works last just weeks or months. This fleeting fact increases its rarity and the urgency to see it while it exists
AT COCHAELLA FESTIVAL:
HOT DETAIL:
Kinda sexy - very carnivale - They don't seem to be wearing many clothes under there, play-acting some worm-like sea-creature species - these are called Cnidaria by the way. Second video reminds me of a mating dance. This makes for good sci-fi and manga day dreaming. Also reminds me of Jeff Koons' giant balloon dog.
MAYBE YOU'D LIKE TO PURCHASE ONE OF HIS LIMITED EDITION PRINTS OR JUST DONATE $ TO A HARD WORKING ARTIST. They look like this:
Below are some embedded videos. There are MORE VIDEOS AT MR. HACKENWERTH'S YOUTUBE CHANNEL
Labels: animals, art, balloons, bloomingdales, carnivale, Cnidaria, cochaella, design, Hackenwerth, Jason, Koons, living, manga, megamite, peabody, savannah, sexy, tentacles
























